Service
You already have the footage. We make it watchable.
Edit-only post-production for brands with a camera, an archive, or a shoot that never got finished. Send the rushes, get back cuts that are graded, captioned and sized for every placement.
A surprising number of brands are sitting on good footage and publishing nothing, because editing is the step that quietly never gets done.
If you have shot days in the archive, creator footage piling up in a Drive folder, or a videographer who delivers raw files and stops there, the missing piece is post-production. That is the service on this page — no shoot required.
What we do in post
Editing
Story, pacing and structure. Selects from your rushes, assembled into the length and shape the placement needs.
Colour grading
Matching shots, fixing exposure and white balance, and building a consistent look across a whole campaign.
Sound design
Dialogue cleanup, noise removal, levelling for platform loudness, licensed music and effects.
Motion graphics
Titles, lower thirds, feature callouts, animated logos and end cards in your brand system.
Subtitles and captions
Burned-in captions for silent viewing plus clean SRT files, in English, Hindi or Punjabi.
Versioning
Every cut exported in 16:9, 9:16, 4:5 and 1:1, correctly reframed rather than mechanically cropped.
What we can turn around
| Deliverable | Typical turnaround | Indicative price |
|---|---|---|
| Short-form Reel or Short, from supplied footage | 2–3 working days | ₹3,000–8,000 per video |
| UGC ad edit with hook variations | 3–5 working days | ₹5,000–12,000 per concept |
| Product or demo video, 60–90s | 5–7 working days | ₹15,000–40,000 |
| Brand film, multi-cam with grade and sound design | 2–3 weeks | ₹50,000–1.5 lakh |
| Podcast or interview episode with Shorts | 4–6 working days | ₹8,000–25,000 per episode |
| Bulk catalogue edits, per video | Batched weekly | From ₹2,000 per video |
How to send us footage
- 1
Share the rushes
Google Drive, Dropbox, WeTransfer or a posted hard drive. For large archives we will set up a shared bucket.
- 2
Tell us the job
Where the video will run, how long it should be, and what the viewer should do next. One paragraph is enough.
- 3
First cut
You get a timestamped review link. Comments go on the frame, so nothing is lost in a long email chain.
- 4
Two review rounds
Round one for structure, round two for polish. Extra rounds are quoted upfront rather than billed as a surprise.
Frequently asked questions
Can you edit footage shot on a phone?
Yes. Modern phone footage grades well as long as it was shot in good light and the audio was recorded on a separate mic or in a quiet room. The limiting factor is almost always sound, not resolution.
Do you work with our existing editor or agency?
Often, yes. We regularly take over grading, sound or versioning while another team does the creative cut, or produce the cut-downs from a film someone else made. We work to your project structure and hand back organised files.
What editing software and formats do you deliver?
We work in Adobe Premiere Pro and After Effects with DaVinci Resolve for grading. Delivery is H.264 or H.265 MP4 for web and social, ProRes masters on request, plus SRT subtitle files and the project archive if you want it.
Can you fix badly shot footage?
Within limits, and we will tell you honestly before you pay. Exposure, colour, shake and background noise can usually be improved a lot. Soft focus, clipped highlights and heavily distorted audio cannot be recovered — in those cases a reshoot of the specific shot is cheaper than the rescue attempt.
Do you offer a retainer for ongoing editing?
Yes. Brands publishing weekly usually take a monthly block of edits at a fixed rate, which keeps turnaround predictable and lowers the per-video price compared with one-off jobs.
Have something worth filming?
Tell us what you are launching and we will come back with ideas, a plan and a quote within two working days.